Wicca Phase Springs Eternal - S/T (6/2/2023) Album

cj · Mar 27, 2023

Contender · Mar 27, 2023

Let’s fucking go

cj · Mar 27, 2023

interesting direction if the single is any indication.. excited to see where this goes

jordalsh · Mar 27, 2023

i love this

MrAirplane · Mar 27, 2023

Album info from bandcamp:

Wicca Phase Springs Eternal has been the moniker and creative persona of Pennsylvania-based singer, songwriter, producer, and multi-instrumentalist Adam McIlwee for over a decade. The name is as enigmatic as McIlwee’s work, a fittingly esoteric umbrella for his ever-growing and ever-evolving catalog of music that’s been released at a stunning quality and pace. So it’s with great intention that the name is now also the title of McIlwee’s latest full-length: Wicca Phase Springs Eternal offers the musician’s most finely honed and welcoming songs to date, but it’s more than just a self-titled album–it’s a portal, an entryway into an entire world.

As 2019 merged into 2020, the former Tigers Jaw member and Gothboiclique founder was looking to step away from the hyper-concentrated melancholic Trap of 2019’s Suffer On, and set out to breathe fresh life into the WPSE project by creating a broader sonic landscape. “Suffer On and a lot of the music I was making around that time was just so emotionally heavy,” McIlwee explains. “It felt like I was putting a lot on the listener and on myself. So I started thinking about early Wicca Phase and the world building I was doing–I was just throwing things at the wall then, but now I have ten more years of songwriting experience. I realized I wanted to just keep developing a depth to Wicca Phase, I didn’t want to just scratch the surface.”

Inspired by the musings of ‘60s and ‘70s British folk bands such as Fairport Convention and Pentangle, McIlwee hunkered down in the Western Catskills and Abington Township in Pennsylvania, absorbing the scenery and trying to translate the beauty of his surroundings into an immersive experience. He began to expand the WPSE lore and fashion a more colorful and descriptive body of work–one where he still wears his heart on his sleeve, but now all of the longing and heartache exist in a vivid space that’s strikingly real and otherworldly all at once. The sound of Wicca Phase began to grow as well: never wanting the project to be defined by a genre, McIlwee worked closely with longtime collaborator Darcy Baylis, as well as newcomer Ben Greenberg, to continue to bring new styles and moods into WPSE. Looking to incorporate his love of EDM, trance, and house sounds, McIlwee and co. created an amalgam of ‘80s and ‘90s breakbeat style drums, modernistic 808s, shimmering synths, and washes of reverberating guitar and organic bass.

The more McIlwee wrote, the deeper he went into the universe he was creating, and his heartfelt songwriting transformed into a moving and breathing sonic display of the fine line between reality and mysticism. “It felt like this could be a starting point if you don’t know what Wicca Phase is about,” he says. “You’re still getting the melodrama that’s in all my lyrics, but you’re also getting this description of the world–what it looks like, what it feels like. Why wouldn’t that be self-titled?”

McIlwee makes his intentions loud and clear from the start: Wicca Phase Springs Eternal’s latest album, Wicca Phase Springs Eternal, opens with a song called “Wicca Phase Springs Eternal.” In cinematic fashion, the track’s three distinct movements draw the listener into the themes, settings, and sounds that permeate the record. McIlwee’s instantly recognizable baritone voice croons over bubbling synth arpeggiations and thumping beats, describing a blend of the natural (a lake, pines, wild horses), supernatural (magic, mystery, a tesseract), and unexpectedly mundane (a Subaru, a puffer jacket, a Dodgers hat), offering just enough grounding to leave the listener wondering if they’re in our world or on some other plane that only resembles it. “Sometimes when I’m writing I’ll be off in the fifth dimension and realize that I need to bring it back to the real world,” McIlwee says. “I’m not interested in music that’s totally ethereal–I want to relate to music and I want people to be able to relate to my music, too.”

That inescapable emotional core and McIlwee’s sincere nature still resonate throughout Wicca Phase Springs Eternal, but this time it’s stronger, imbued with a new wisdom. On “Farm,” he sings “My love lives on a plane, and when it presents itself overwhelmed and overtaken, silent and sacred, total, unknowable in shape,” his voice calling out into the night through driving breakbeats and pulsing synth lines before being swallowed up by his own echoes. Elsewhere, McIlwee and Zola Jesus duet on the fingerpicked outlaw ballad “Mystery, I’m Tied To You,” , while “One Silhouette” is Wicca Phase Springs Eternal’s version of a dance song, its pounding four-on-the-floor beat colliding into hazy slide guitar and McIlwee’s mournful hooks to conjure up an imaginary collaboration between Robert Smith and Underworld.

On “Who’s Watching Me,” a trip hop beat and ghostly keyboards create surprising uplift, like the moon shining through the clouds as McIlwee describes his arrival to “the doorway of desire and intrigue.” It’s a moment that sums up what Wicca Phase Springs Eternal does best: capturing both the romanticism and inscrutability of life’s biggest feelings. “I probably say the word ‘mystery’ a hundred times on this record,” McIlwee laughs. “That’s what I’m trying to bottle up–this idea of something that’s hard to know, but enticing. For whatever reason, my natural strength is writing about emotions, though my interest is always more in describing the moment and describing the intangible. I definitely will keep singing about heartbreak, but I want to do it in a different way.”

McIlwee’s devotion to traversing the unknown–both emotional and extra-dimensional–is palpable and contagious. When he sings “I spent hours trying to tap into the mystery” on the eponymous opening track, you believe him, and are also reminded of what a rare joy it is to be fully captivated by a piece of art that’s this richly detailed, while still leaving so many questions unanswered, so many twists left to be discovered with every listen. When Wicca Phase Springs Eternal ends, you find yourself compelled to play it again–to enter the portal and once more find out where it leads.

Very excited about the new direction/exploration. No mention of the 20 track "Full Moon Mystery Garden" that came out less than 5 months ago, I guess that was considered more of a mixtape

JaytotheGee · Mar 27, 2023

Stoked

MrAirplane · Mar 27, 2023

$200 'Mystery Club' for the album - Wicca Phase Springs Eternal 'Mystery Club'

Mystery Club Includes:
- 3 separate shipments coordinated to arrive to your address ahead of each new Wicca Phase single, with the final package arriving on June 2nd (US Customers only, INTL subscribers will receive one consolidated shipment).
- Exclusive merch & items, including signed thank you notes from Adam in each release
- Wicca Phase Springs Eternal LP on Stormcloud Splatter Vinyl + more unannounced bonus releases only available in Mystery Club.

also includes a plush of Adam and a horse haha

xapplexpiex · Mar 27, 2023

Sweeeeet, new material from them

Nate_Johnson · Apr 3, 2023

Going the Cold Cave route. My interest is peaked.

Contender · Apr 24, 2023

cj · May 17, 2023

cj · Jun 2, 2023

subplotofcrows · Jun 2, 2023

I’m digging this so far

TriangularDuck · Jun 2, 2023

twilight miracle goes hard

JaytotheGee · Jun 2, 2023

I dig it, but it's not close to Suffer On imo

cj · Jun 2, 2023

had this on for the first 6 or 7 songs on my run this morning and yeah, nothing was hitting like suffer on.

MacbethSin · Jun 2, 2023

come on come on come on come on
let me in let me in let me in let me in

algae · Jun 2, 2023

Full Moon Mystery Garden is cool too and a lot better than this imo

cj · Jun 4, 2023

man. outside of farm and moving without movement this is doing absolutely nothing for me. sucks cause i absolutely adored suffer on.

cj · Jun 14, 2023

Adam McIlwee on Wicca Phase, Tigers Jaw, Lil Peep & more

MrAirplane · Sep 16, 2024

did this album eventually grow on anyone? i think i only listened once, not sure if it's worth giving it more time

new ep out next month

cj · Sep 16, 2024

nice. hopefully a return to what he was doing on suffer on

MrAirplane · Jul 14, 2025

new album out in september. also looks like he got married and changed his last name, presumably to his wife's name. he's now Adam Andrzejewski

two songs out so far (spoiler - no beats)

It’s impossible to talk about Wicca Phase Springs Eternal without talking about transformation. For over a decade the singer, songwriter and producer Adam Andrzejewski has used the moniker as a wide creative umbrella, under which he’s made a vast body of work that’s as consistently compelling as it is constantly changing. This deft ability to blend sounds and styles has become his calling card, but no matter the genre signifiers–from rap beats, to new wave synths, to goth atmospherics–the beating heart of WPSE is Andrzejewski’s singular voice and esoteric-yet-emotional lyricism. Those key elements have centered the project through musical explorations, and now on his latest full-length, Mossy Oak Shadow, Andrzejewski really puts them to the test. Shedding thumping 808s and intricate production in favor of a no-frills band and sparse live recording, the album is a stirring collection of hazy folk rock songs that prove Wicca Phase Springs Eternal can truly be anything.

“I always kind of thought that as long as I have the Wicca Phase Springs Eternal name that I can do whatever I want,” Andrzejewski explains. “The name provides a framework for the lyrics and aesthetics of the project–my songwriting with a mystical overlay to it–and as long as I can make something work within that, then the genre doesn’t totally matter.” That daring creative mentality is what steered Andrzejewski when he first started the WPSE project, through his work as a co-founder of the influential GothBoiClique collective, or as member of Thraxxhouse and Misery Club, and even with his punk side project, Pay For Pain. Still, few could have guessed that the new proper Wicca Phase Springs Eternal release would be a set of country-leaning folk songs performed without a wink in sight. As with all things Wicca Phase, Mossy Oak Shadow finds Andrzejewski fully committed.

Mossy Oak Shadow might seem like a drastic pivot for the Wicca Phase Springs Eternal fans who got on board through his beat-driven modern classic albums, like 2016’s Secret Boy or 2018’s Suffer On–but it shouldn’t come as a total surprise. WPSE releases have always dabbled in stripped-down acoustic songs, and even further back there’s Andrzejewski’s earlier work as a member of emo/indie stalwarts Tigers Jaw. When he left that band to focus on Wicca Phase in 2013, he was met with skepticism from listeners who were hesitant to embrace his new persona and experimental trap sound. Ironically now Andrzejewski has so thoroughly established Wicca Phase Springs Eternal that he’s once again challenging his fans with a stark sonic shift–but this time by returning to the guitar-oriented songwriting he’d set aside. “Dylan, Will Oldman, Richard Thompson–what I like most about those songwriters is that I’m able to trust them,” Andrzejewski explains. “If they do something that’s totally strange I trust that they know what they’re doing because it’s coming from the same person that wrote all these other songs that I love. So even if it might take some time for me to get where they are, I want to try.”

“There’s always been acoustic songs on my records but usually they’re in the context of a beat-based Wicca Phase album. I think the idea here was to just kind of start fresh and go hard in this other direction,” he continues. “The temptation is to call it a country record. I don’t really think it’s that–but there’s acoustic guitar and slide guitar, and I think my interests and themes do have elements of country in sort of an archetypical way.”

“I’ve loved Bob Dylan since I was ten years old. I had an uncle who gave me his entire catalog on data discs and I just fell in love. I even love how he’s always reinterpreting his work to this day and I try to keep that in mind–especially for this album. That spirit, that freedom, was very influential to me with writing this record. I felt like I didn’t have to think about too many specifics outside of writing lyrics and chords and whatever comes out comes out, genre be damned.”

cj · Jul 14, 2025

interesting! stoked to check it out.

cj · Jul 14, 2025

got an ethel cain feature too

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