Oh shit, wouldn't have made that connection. It's weird watching that and seeing bob act as like, a corporeal being and not a supernatural entity haha. Andy though lol. "He's unarmed".
FWWM: Bob/Leland was grabbing Laura's face similar to how Bob/EvilCoop was grabbing that dude's face early-ish on in S3. Creeper. (Currently rewatching and will post more observations)
I thought what James found in the boiler room was whatever was causing the Great Northern to hum. Not that I know what it is or anything. Also I'm pretty sure some character grabs Dougie's face like that in one scene and he has a visceral reaction to it. Could be nothing, I dunno.
What about the scene with Gordon, Albert, and the French woman? That had me cracking up throughout, especially when Gordon tries telling a joke and it completely falls flat and then the conversation ends with Gordon telling Albert he really worries about him sometimes
Amazing scene. Albert definitely represents the audience here. Thinking, "get on with it!!!" while Lynch smiles with glee.
I forgot how off-the-wall Twin Peaks multiple whodunit scenarios were. At the end of the first season there must have been a half dozen masked men shooting and/or beating people up.
Haha, two of my co-workers started watching Twin Peaks on Netflix recently and this was like the first thing both of them mentioned when I talked to them about it.
The Final Dossier is $14 on Prime. Also, I read a theory that Audrey is performing in a play and eventually the camera to pull back to reveal they are on a stage, which is why they don't leave the house lol
Breathtaking stuff. The theme playing as we finally get to reunite with Cooper stands as one of the most emotional moments in television. For fifteen episodes the show seemed to be creating more plot points and themes than it could wrap it up, but it is so obviously foolish now to doubt Lynch's skills as a filmmaker. This is the greatest piece of dramatic television since the ending of The Sopranos.
In a span of an hour, I went from intrigued by Bad Cooper and his son, to laughing at the shootout between the assassins and the neighbor, to welling up over the return of Cooper, to impossibly high anxiety over knowing Diane's intentions, and confused to the Audrey saga. Of course, the episode is great, but Lynch did a masterful job of building us to this place.
100% me. I almost feel foolish for not just doubting Lynch but getting impatient at times. I should know that by now that Lynch understands what we truly want more than we do.
This episode just goes to show how much better off we were taking the long route home rather than if we were spoon fed from the beginning.
I was feeling similarly around the middle of the season. We had seen James for two seconds, we kept watching Dougie wander around, Cole was following up some murder that seemed to have nothing to do with the plot, and it seemed like it would keep stretching out. The last two or three episodes have been so great at narrowing the focus that it is going to be painful to wait a week. Luckily we get both episodes on the same night.
It gave us every reason to think so. Those shots of him silently standing there seemed like preparation for a sendoff.