Look, when I need to change my oil, "Hold Up a Light" will sound pretty good. It wouldn't be a proper Thrice record if they didn't omit 1-2 great songs.
I think it's just not something I expected from Thrice. I can imagine myself singing along to them too. Honestly I think the mixing of the album kind of ruins it for me. I hope it grows on me.
Haven't listened yet. Is it actually good, or is it good like that time you said the Underoath record was good?
After a few listens, I kinda think my soul would have been a cool opener. This album is so diverse, I think messing with sequencing could turn out some interesting results (also I know this drives some people nuts...I like it the way it is...just a thought)
Yep. Super dive bar almost lo-fi punk sounding better than anything the Foo Fighters have done in a long time song. It's great.
I don't mind the song, but I absolutely despise the bridge. The breakdown sounds like something off of St. Anger.
I kid. It just seems like you are okay with bands leaning more alt-rock than a lot of people around here. I don't want to get too off topic, but that Underoath record fell off for me harder than anything else this year.
To each their own, I guess, but the bridge (along with Teppei's guitar, especially post-chorus, and Dustin's vocals throughout) absolutely makes the song for me.
I'm having a real tough time telling myself that "Beyond the Pines" is not the best song on the record.
The only question I have about Beyond the Pines is this: am I going to picture Ryan Gosling riding a motorcycle through a windy wooded road while I listen to it?
Anybody else’s order like this? My email with the digital downloads that comes in an email for each variant in the bundle, no longer reflects the “Wax Mage” wording.
No hyperbole: I think about 'Pines' characters every time I listen. I actually rewatched it last night because of the song.
It's a shame Derek Cianfrance has such a tough time getting financing for his movies. As a result, he was 2017's Commercial Director of the Year.