lana's in a weird space where she sells really well first week but i dont think she's had any like...actual hits?
I do think that the diversity of her style on Born To Die was something that showed promise, but Ultraviolence and Honeymoon were so incredibly one-note and she seemed to turn her back on caring about anything other than one specific sound that gets stale after two hour long albums of the same song
Few things I'd disagree more with, Honeymoon is one of the most tedious albums I've ever listened through
Lana Del Ray might have reached mainstream awareness (mostly because of that "Summertime Sadness" remix), but to my awareness you can't really call it mainstream success. That said, she's got like three rows of the most dedicated fans ever at most festivals she plays.
I like the back half of this album a lot, but "Nothing Without You" and "Die For You" are like the same exact song.
This is very very good, it feels long to me right now but I blame that on only having listened twice and still getting to know the songs. At no point does it ever feel stale, however. This is my first record from him, where do people recommend going next?
While you're at it, I recommend listening to each tape on their own rather than one continuous listen.
steve,,, that album is so good and i spin it at least monthly. soo many standouts and it's never boring.
I think my opinion is now that BBTM has better highlights than this one does but this is a better overall album