Taylor Swift - folklore (July 24, 2020) Album • Page 79

NPR Core is brilliant.

 

Lol. What a missed opportunity. If you're gonna look bad, at least do it cleverly.

 

I suppose the fact that you just ripped this off the cuff and it is so much better than what Smashmouth came up with shouldn't surprise me at all given that these are the gentlemen responsible for crafting "All Star", but this is still very funny.

 

Thinking about that culminating moment in "my tears ricochet"... whew. I'm still in the stage where my brain physically rejects the idea of ranking the songs. The stretch of "the last great american dynasty" through "this is me trying" keeps getting stuck in my head though. Like, all of the songs. They're taking turns.

 

This album is so gorgeous. I just love it.

Obscurely enough, I can't hear "Mirrorball" without thinking of Rugrats when they would always say, "It's a mirable!" instead of "It's a miracle!" Anyone else? No? Cool.

 

this is me trying is my second favorite

 

If Justin and Aaron weren’t involved I wonder if the “indie” narrative would even exist

 

definitely not to the extent it does now. because lets be honest, there are some people out there who only checked this out because of those names attached, and i imagine some or most of those people had no interest in taylor swift to begin with and had their mind made up about it before they even went in. if those names werent on it, those people never take a listen, and those that actually like taylor and are interested in her are the ones checking out the album. thats not to say im not extremely happy aaron had such a heavy involvement in this and that justin did some work on it too, just saying im sure that scenario has happened and bolstered the whole indie narrative thing going on.

 

although, i had my mind made up about it before i even went in, thinking it would be extremely good

 

Also, to circle back, it’s weird to say that *Taylor* ripped Tomberlin or any other indie artist off when Aaron, Jack, and Justin played such a major role in the production and construction of the instrumentals. Like, if anyone ripped her off—and to be clear, no one did—it would be Aaron, right? It’s just a weird argument that feels more like misdirected anger than anything else

 

very much agree. think there's a lot of themes to explore and bring into an awesome review (5 Star's 10/10's, A+'s only of course) of this release:

- Successful musical partnerships between established male & female artists and tipping point between when a musical project comes out as a solo record (this) and when that project comes out under a new name (eg. Better Oblivion Community Center)
- The trend of music junkies looking to "big surprise releases" now more than ever, perhaps to fill the void of no live shows during the pandemic
- One where all of the influences are specifically called out - piece by piece- and explored

bear in mind I still need to read stereo gum & rolling stone write ups.

agree 100%. my partner & I have already debated about this several times. almost as many times as i've debated it with myself haha

 

short and long answer: no

 

I can't tell if Tomberlin is mad that not enough people are listening to her or genuinely frustrated not enough smaller artists are getting attention. Because if it's the former, lol. She's not huge by any means but she's way more popular than A LOT of musicians out there. If it's the latter, that's a struggle for tons of smaller musicians and an "issue" that's been ongoing for years. Not something Taylor caused or can fix.

 

There's a valid complaint to be made about how power and visibility and tokenism work in the music industry and it simply didn't get made. They went straight for complaining about Taylor instead because it's easier.

In short: it's absolutely misdirected anger.

 

For sure. I won’t pretend like seeing Aaron and Justin’s involvement didn’t make me excited for this record in a way I’m usually not for Taylor’s records, but I would have checked it out regardless. I think a lot of people are interpreting their presence here as deliberate pandering to an “indie” audience when it’s clearly just musicians working together who have a mutual respect for each other.

 

I'm actually touching on this in a piece I'm writing about this debacle: as a LEGITIMATELY poor, unknown, queer brown artist... watching relatively established (and largely white) indie twitter complain about Taylor's privilege has been great for my nonexistent abs because I've been laughing so damn much reading them

 

no. and in that world, one could say this narrative would be exiled from the conversation


...i tried harder on that than I care to admit

I play montana regularly to this day and always have. it's the diamond in the very big and very bad rough though.

 

it was kind of touched on yesterday in a conversation but this mindset of competing for listens, needing credit simply for inspiring people, the anxiety of being a small artist going up against mega powerful big names, it's all fueled by the capitalist structures that are plaguing and destroying the music industry. artists shouldnt be pit against each other to begin with, taking inspiration from unlikely places shouldnt be a bad thing, but with the competitive nature of capitalism and the uncertainty of where your next check is going to come from, those mentalities prevail.

 

Never heard of this Tomberlin person prior to today... shocking, given her large social media following of ::checks notes:: 4,072 twitter followers, 6,863 FB likes, 304 YT subscribers...

 

just got this press release and HOLY SHIT

 

THERE'S TWO OF US!!!

 

for sure, it definitely worked the other way too. i wasn't huge on her last two records but was a big fan in the past, and with aaron and justin attached i was super hype on this. now, i absolutely would have checked it out if they were involved or not and if it still somehow sounded like this i would still enjoy it, but it did get me interested in her new work in a way i havent been since 1989

 

Those are pretty insane numbers. Extremely happy for her.

 

Press release:

Taylor Swift folklore Exceeds 1.3 Million Sold Globally in 24 Hours

folklore Sets Spotify Global Record for First Day Album Steams by a Female Artist with 80.6M

folklore Sets Record as the Most Streamed Pop Album on Apple Music in 24 Hours with 35.47M

folklore Sets U.S. and Worldwide Amazon Music Indie/Alternative Streaming Record

In under 24 hours, Taylor Swift’s 5 Star album folklore sold over 1.3 million copies around the world. It also shattered “the global record for first-day album streams on Spotify by a female artist” with 80.6 million streams and delivered “the most-streamed pop album on Apple Music in 24 hours” with 35.47M streams. Additionally, folkloreset the U.S. and Worldwide Amazon Music Indie/Alternative Streaming Record.

folklore is the ten-time GRAMMY® Award-winning, record-breaking superstar’s eighth album.folklore arrives as Taylor's highest rated critically acclaimed album on Metacritic, currently ranked 96.5.

Here are what critics are saying about folklore:

“5 Stars” – The Guardian, Laura Snapes

“Folklore proves that she can thrive away from the noise: if you interpret “classmates” as pop peers, Swift is no longer competing.” – The Guardian, Laura Snapes

“Taylor Swift's surprise album 'Folklore' is her best yet.” – USA Today, Patrick Ryan

“A Rating” – Entertainment Weekly, Maura Johnston

“...a content smile of an album on which one of the world's biggest pop stars, charts be damned, forges her own path and dares listeners to come along for the ride…” – Entertainment Weekly, Maura Johnston

“5 Stars” – The Daily Telegraph, Neil McCormick

“These are beautifully turned songs filled with empathy for downtrodden characters battered by life but always ready to fight back, bridging social distance with langorous melodies and deep emotion. The lockdown may have been a terrible moment for music and musicians, but it has resulted in Taylor’s Swift’s most powerful and mature album to date.” – The Daily Telegraph, Neil McCormick

“Thank you, Taylor, for this masterpiece of an album.” – Buzzfeed, Ryan Schocket

"The mainstream deity wears well the role of a solemn storyteller, who’s more comfortable than ever weaving her tales without happy endings (and whose goth-inspired album cover looks like an Opeth throwback). Such an approach reminds of the darker tones found in Bruce Springsteen’s The River, the double-album that first saw the Boss wholly embrace the idea of telling other folks’ tales in the first-person — a formula that would guide him for decades. Swift may not be far behind on Highway 9." – Spin, Bobby Oliver

"One musing bleeds into the next; sonic themes maintain a brilliantly downcast cohesion, like smooth obsidian glass. It’s a record born of necessity, a testament to her deep need to make music, even when it makes no sense to do so." – Spin, Bobby Oliver

“5 Stars” – i Newspaper, Sarah Carson

“A dazzling, timeless surprise album.” – i Newspaper, Sarah Carson

“In years to come, when we look back at the timeless Folklore, Swift's words will once again prove astoundingly, simply, true.” – i Newspaper, Sarah Carson

“Some of us have spent years dreaming Taylor would do a whole album like this—but nobody really dreamed it would turn out this great. Her greatest album—so far.” – Rolling Stone, Rob Sheffield

“4.5 Stars” – Rolling Stone, Rob Sheffield

“The album is ruminative and dreamy, the work of an artist, who, cut off from the everyday world, turned inward, following the rushing rapids of her imagination and scooping up songs as they flowed past.” – Los Angeles Times, Jody Rosen

“A- Rating” – Consequence of Sound, Katie Moulton

“On folklore, Swift has come of age, emotionally and sonically, and proven herself — not that she needed to — as not only an exceptionally autonomous auteur but a nimble collaborator with an ever-broadening palate.” – Consequence of Sound, Katie Moulton

“Taylor Swift has leveled the hell up” – Paste Magazine, Ellen Johnson

“...one of her best, most perfectly-produced projects ever.” – Paste Magazine, Ellen Johnson

“It’s hard to remember any contemporary pop superstar that has indulged in a more serious, or successful, act of sonic palette cleansing than Swift has with her eighth album, a highly subdued but rich affair written and recorded in quarantine conditions.” – Variety, Chris Willman

“Folklore’: There’s Nothing Quiet About This Songwriting Tour De Force.” – Billboard, Jason Lipshutz

“For the girl who likes big production, earworm anacondas, shiny, gleaming instruments and the over-the-top approach, what she did with her summer vacation is counterintuitive. Yet somehow ,listening to the entire song cycle, it feels like she’s made her way home and taken us with her.” – Hits Magazine, Holly Gleason

“Indisputably songs to cherish on vinyl and clutch to your heart to ease the horror of dark days, of which, sadly, there have been too many lately. Thanks to Taylor Swift, at least today will be brighter.” – Music Week, Mark Sutherland

“There is less too, of Swift’s confessional lyrical style, as she turns to observing other lives as expertly as she dissects her own. She does it superbly too casually dropping gems such as, ‘They told me all my cages were mental/So I get wasted, like all my potential’.” – Music Week, Mark Sutherland

“Swift is no ordinary pop star. And certainly no ordinary songwriter. Her craft has always been revered by the songwriting cognoscenti as well as the pop fandom.” – Music Week, Mark Sutherland

“4.5 Stars” – Metro, Emma Kelly

“Folklore puts the focus back on pure Swift songwriting magic, with the star shining lyrically more than she has in years.” – Metro, Emma Kelly

“4 Stars” – NME, Hanah Mylrea

“‘Folklore’ feels fresh, forward-thinking and, most of all, honest. The glossy production she’s lent on for the past half-decade is cast aside for simpler, softer melodies and wistful instrumentation. It’s the sound of an artist who’s bored of calculated releases and wanted to try something different. Swift disappeared into the metaphorical woods while writing ‘Folklore’, and she’s emerged stronger than ever.” – NME, Hanah Mylrea

“Taylor Swift Drops Stripped Down, Indie-esque Masterpiece, ‘Folklore’” – American Songwriter, Madeline Crone

“Taylor Swift Is At Her Most Emotionally Raw On Surprise New Album ‘Folklore’” – British Vogue, Ilana Kaplan

“On Folklore she establishes that, more than any genre or approach, her core identity is really just a well-written song and a desire to keep changing.” – Vanity Fair, Erin Vanderhoof

“Swift’s surprise album captures a romanticised rural feeling without peddling a solitary genius narrative.” – The Face, Emma Madden

“Part of the album’s genius is how it makes us fantasise about isolation while in isolation. Taylor wants us to imagine a generative and meaningful solitude – unhampered by fear and uncertainty – where we’re free to ruminate on failed affairs, and luxuriate in the graved sting of nostalgia.” – The Face, Emma Madden

“With folk-revivalist pastiche, Taylor has created an atmosphere of intimacy which makes us feel closer to her than ever before – and she didn’t even have to flee into the wilderness to achieve this. Folklore makes it seem, to speak in memeable terms, as though Thoreau walked so that Taylor Swift could fly.” – The Face, Emma Madden

“…it’s an incredible feminist masterpiece without you even realising it.” – Glamour UK, Josh Smith

“Taylor said the album was filled with her, ‘whims, dreams, fears, and musings,’ but as always as the storyteller of her generation she has created an album that accurately muses on OUR lives.” – Glamour UK, Josh Smith

“Barbara Walters once said, ‘Taylor Swift IS the music industry,’ and Folklore is firmly testament to that. Taylor we don't just stan, we worship at your altar of brilliance.” – Glamour UK, Josh Smith

“4 Stars” – The Financial Times, Michael Hann

“The 17 songs here have the requisite beautiful moods but they also have clear, memorable melodies and structures. Don’t doubt Swift’s influence on that: Miss Americana made it quite clear that her songs are very much her songs.” – The Financial Times, Michael Hann

“4 Stars” – The Independent, Roisin O’Connor

“Folklore: New album is exquisite, piano-based poetry.” – The Independent, Roisin O’Connor

“This is an unconventional record – at least for the world’s biggest pop star. It’s also brilliant.” – The Independent, Roisin O’Connor

“4 Stars” – The Evening Standard, David Smyth

“A delicately exquisite indie transformation.” – The Evening Standard, David Smyth

“She still can’t write a song that isn’t immediately catchy, but the delicate textures in the music are something new and highly attractive. Folklore is definitely one for that snobby ex to add to his collection.” – The Evening Standard, David Smyth

“9/10” – The Line Of Best Fit, Eloise Bulmer

“This is an album of Swift at her most knowing, pushing away the tabloid fodder that has often surrounded her artistry and magnifying the talent she's been honing her entire life. The melodies are full of warmth and round-edges, moving and twinkling on her whim as she indulges in one of the most most human and timeless past-times we have.” – The Line Of Best Fit, Eloise Bulmer

“4 Stars” – The Times, Will Hodgkinson

“The pop megastar has turned to sweet folk and it suits her.” – The Times, Will Hodgkinson

“The music here is threadbare and nuanced, following her thoughts to these lonely corners and adding new depth.” – Pitchfork, Sam Sodomsky

“In releasing Folklore as a surprise and alluding to fiction in its title, Swift has distanced herself from the forensic analysis that tends to dog her releases, and, from the album’s earliest moments, she makes the most of this new freedom.” – The Fader, Shaad D’Souza

“The 16 tracks weave into each other nicely, blending to make this folk-pop-country-Americana-guitar rock-singer-songwriter album work. Whatever the genre, “folklore” is first-class.” – Associated Press, Mesfin Fekadu

“5 Stars” – The Sun, Simon Boyle

“She has pivoted entirely to make music which will be so soothing to millions of people as the world struggles with the lockdown in which it was written.” – The Sun, Simon Boyle

“On Folklore, Taylor has never sounded so sublime.” – The Sun, Simon Boyle

“Her self-knowledge has always been her most remarkable asset as a songwriter.” - The New Yorker, Amanda Petrusich

“It’s extraordinarily raw, especially when combined with Swift’s often uncanny ability to make a downbeat song feel like one of the most uplifting things you’ve heard.”
"Surely the first great album of the lockdown era.” – Hot Press, Ed Power

“5 Stars” – The Irish Independent, John Maegher

“With a little help from the National's Aaron Dessner, Taylor Swift may have just released the best album of 2020.” – The Irish Independent, John Maegher

“She’s not just one of the greatest pop stars of her generation, she’s one of the finest tunesmiths too.” – The Irish Independent, John Maegher

“At 30, and with a substantial body of work already behind her, Folklore is Swift telling the world in no uncertain terms that she will be around for a long time to come. And good on her.” – The Irish Independent, John Maegher

“Even in the case it lives on as a one-off, it will still remain one of the best things Swift has ever done.” – Rolling Stone Italy, Claudio Todesco

“It’s as if Swift has decided to press pause on the high-charting hits, and give more space to nuance when it comes to her voice, which has a wonderful presence here, and present some songs deserving of a standing ovation.” – Rolling Stone Italy, Claudio Todesco

“folklore re-establishes her as a pop maverick who does what she wants. She doesn’t need to present albums as mammoth projects accompanied by long, rowdy and over the top promotional campaigns. It’s just a nice record, from start to finish.” – Rolling Stone Italy, Claudio Todesco

“This brooding-storyteller album tells us that Taylor Swift is still miles ahead of her classmates and to see her like that, wearing make-up and wearing an old cardigan, she seems better than ever.” – Rolling Stone Italy, Claudio Todesco

“4.5 Stars” – The Forty-Five, Rhian Daly

“…a poignant, breathtaking reclamation of her crown as pop’s best songwriter.” – The Forty-Five, Rhian Daly

“As those tales show, no matter how gorgeous the music that courses through it, ’Folklore’’s biggest asset is its lyrics, Swift casually dropping dramatic, romantic and poetic lines at regular intervals.” – The Forty-Five, Rhian Daly

“10/10” – Gigwise, Jessie Atkinson

“Taylor’s lyrics have always been exceptional, but her truest genius reveals itself in her melody writing. Few people can so consistently serve their musings on the sparkling platter of irresistible pop composition - again and again and again.” – Gigwise, Jessie Atkinson

“In this record - in large part a remote collaboration between Taylor and The National’s Aaron Dessner - Taylor is contemplative, authorial, clear and simply exceptional.” – Gigwise, Jessie Atkinson

“If you were letting all of the crap stand in the way of seeing the truth, maybe now you’ll admit it: Taylor Swift is one of America’s greatest living songwriters.” – Gigwise, Jessie Atkinson

“What Folklore does best proves that Taylor Swift manages to reinvent herself with every new album she releases, while somehow managing to stay true to her core and heart every time — and she’s one of the only artists who can do so successfully. Folklore may not be a fan favorite for the traditional pop crowd but it showcases yet another change in sound from Taylor Swift and she makes it entirely her own, yet again.” – United By Pop, Palak Fayswal

“Everything about this album is haunting, in the way traditional folklore often is… It’s a visual album too, in a way, coaxing listeners into the storybook land Taylor has created — from lust forests twinkling in broad daylight to the inside of a desolate, abandoned cabin in the woods, every song captures a feeling or place or story in a perfect way.” – United By Pop, Palak Fayswal

“5 Stars” – Music OMH, Chloe Johnson

“This is Swift at her most experimental, nostalgic, and creative; the stories of masquerade revellers, love-struck teenagers and the month of August being sipped away like a bottle of wine almost demand to be played, and preferably on vinyl.” – Music OMH, Chloe Johnson

“What Folklore ultimately achieves in its narrative of escapism is reinforcing the notion that Swift isn’t one of the greatest 21st century artists because her work is autobiographical, or because she leaves cleverly crafted clues leading up to her albums (although these are all interesting elements) but rather because she is, first and foremost, a storyteller. Folklore is sad, beautiful, somewhat tragic, a little bit off the wall, but most of all it feels free.” – Music OMH, Chloe Johnson

 

i'm truly here as a direct result of the link to Aaron & Justin. No shame in it. I'm glad it led me to explore something different and have it work out so well that I now have a few new favorite songs. as an added bonus, my wife gets the pleasure of reminding me she's asked me to listen to TS for years lol.