I doubt you’re making that up, considering that almost every TBS album has terrible-sounding drums haha
This thread has taken me on a journey. I've gone from not giving too many shits about TBS for a while, to getting excited about a tour with Fred, to now me wishing we could get a New Again tour. ITS NOT EVEN A GOOD ALBUM
Learning how to play what’s it feel like to be a ghost to shake the cobwebs off on playing guitar and wow am I rusty but damn that song is so much fun to play
I pretty strongly disagree about the dual vocals being a mainstay for this band. I mean, we haven’t gotten them in heavy dose since LN. They’ve delivered five records without it (outside of an occasional song or parts of a song) & even if you don’t like those records as a whole, they’ve proven well enough that they don’t need dual vocals to write good songs. I would be curious as to why though. They can obviously do it, as evident most recently with The One, so it’s pretty clearly a deliberate effort to move away from that to focus more on harmonies and flourishes.
IMO Matt Squire’s production on Erase Me is a hell of a lot better than the production the band did on Voyuerist (one of my favorite records by them too) lol
It was Fazzi and Matt Rubano who were trying to get weird with it and I loved it personally. They needed to switch it up but between going with the wrong producer and pushing back on some classic TBS sounds/styles - they held themselves back a little bit on NA
It’s better than any of the records they’ve put out post-NA ¯\_(ツ)_/¯ Happiness Is holds up pretty well though and is easily their best record with Nolan and Shaun.
As someone who religiously read liner notes back in the day (I was super cool), none of this is news to me.
Oh it’s less about the production and more the influence he had from what we could see in the studio videos. Vividly remember him listening to a demo and being like "guys all the breakdowns, we have to cut that shit out" or something lol
yeah I remember in that doc Chris coming in with a new idea really excited and Squire just shuts him down and it really bums me out
LN is gr8, but tayf really has become a second blink untitled for me (as in: after all these years could still listen from start to finish every day)
180 from Orensanz is everything. Forgot how much I used to listen to it. Also worth watching for the end of the little interview with Mark where he's praising Adam.
I think when self-titled came out, they said they didn't want to do it if it didn't feel natural to the song as they were afraid of it becoming too much of a gimmick or something like that. I think there's probably some middle ground between not doing it at all vs. it being gimmick-y, and sometimes I do wish we got a bit more of that back and forth, but I do kind of get what they mean by the songs they're writing now not really needing it. I remember when they dropped Flicker, Fade and being excited about the use of it there.
I remember when they first dropped the teaser for The One and it was John’s post-chorus verse and it seemed the song might be a John-led song at first.