The songs list is cool, lots of omissions in my book but that’s how it’s gonna be. I’m also juuust too young to know some of the cuts from earlier in the 90s that are a little farther outside of my wheelhouse. Pretty wild that one of the 3-4 best songs ever written is at #113 tho
Not even the wrong Built to Spill song but like, the seventh-choice Built to Spill song at best nothing from the best rap album of the 90s imo (Illmatic) is wild af
I was being half serious with my song list (Sandstorm being the most tongue in cheek), but the almost complete erasure of 90s dance/europop is baffling to me. It was everywhere!
This or That? Play Pitchfork’s 1990s Music Battle Game What’s the Story is losing to both Parklife and that one Pulp album, don’t tell @phaynes12
20 of my favorites in no order. Palace Brothers - Viva Last Blues Bonnie Prince Billy - I See A Darkness Silver Jews - American Water Smog - Knock Knock Lucinda Williams - Car Wheels On A Gravel Road Gillian Welch - Time The Revelator Tom Waits - Mule Variations Pharoah Monch - Internal Affairs Songs Ohia - Axxes & Ace John Prine - The Missing Years Mos Def & Talib Kweli - Black Star Nick Cave - The Boatman’s Call Eels - Elctro Shock Blues Lauryn Hill - The Miseducation of.. Son Volt - Trace The Lemonheads - It’s A Shame About Ray The Magnetic Fields - 69 Love Songs Mos Def - Black On Both Sides Digable Planets - Blowout Comb Fugees - The Score
I honestly can’t believe pitchfork is dead. It turned into something much different and less personally useful than it was to me from like 2004-2015, but it is still completely shocking to me to see it swallowed up let alone by GQ. End of an era feeling
Immediately one of the stupidest media industry decisions of all time, and there have been a lot of stupid media industry decisions, especially in the past 5-10 years. I want to know who proposed it.
I’d guess some consultant hired at the behest of some hedge fund that I assume owns a lot of Condé Nast. Safe to assume that’s where all dumb decisions like this come from end of an era for sure! a lot of my favorite writers who still do work for them are freelancers now anyway tho
It is super disheartening that there's also the potential for old reviews to be taken down/paywalled. Not just the lack of regular new material.
I’m curious if the remaining freelancers will even stick around. I think back to the almost complete “abandon ship” moment that The AV Club had a few years ago.
Fucking shook tbh. The single most influential music site of my lifetime. Without Pitchfork and Chorus/Absolutepunk I would be a very different person entirely, or at the very least have worse taste. I have checked them both every single day since 2002.
Also, as a father of 4 kids it’s websites like Pitchfork that I have relied heavily on to stay up to date with music. Crushing.
Now you have to create an account to read the reviews. Still free, but we are already seeing changes, and it would not surprise me if these reviews eventually become paywalled. Edit: Looks like they may have removed that, but it was a thing earlier today.
Apparently they all got fired by Anna Wintour on a video call where she didn't take off her sunglasses, which I'm reading conflicting information on whether it's for a medical reason or not, but yeah. Also: