Seems insane to be a modest mouse fan and have never listened to what 95% of their fans consider their best album
I can only speak for myself, but when I was a lot younger, I remember buying Good News on CD and listening to it and liking it a lot and there was a very annoying person who was doing that cliché 'this album sucks, you need to listen to their old shit before they sold out' routine and I was being anti about and purposely didn't do what they were telling me to do. which is silly and immature, but also I was literally silly and immature at that time, and then I sorta stopped listening to these guys before I ever went back and dove into what their fans seem to always say is their best stuff.
I listened to their next couple albums as they came out but I never went back and fell off after Strangers
LCW has a live-off-the-floor intensity missing from all that follows (even M&A, which I love, feels much more like a studio construction). With Jeremiah Green dead you are very much hearing a document of something special that no longer exists in any meaningful sense.
I was listening to TM&A (specifically "Gravity Rides Everything") when I got T-boned on Thanksgiving back in 2019 and it was one of the most traumatic events of my life but it's still a top three album of all time for me and I'm probably going to spin it this morning
I also definitely wrote a short story in high school that was almost the exact plot of The Curse finale with a guy getting pulled into space inspired by The Moon & Antarctica lol
Some brief general notes on TM&A: - That riff in "Dark Center of the Universe" is so good - "Perfect Disguise" and "The Cold Part" are such beautiful songs - "Paper Thin Walls" deserves more credit as one of their poppiest tracks - "Life Like Weeds" is, of course, one of their best - "What People Are Made Of" rips so fucking hard and I always feel like "Invisible" is sort of a spiritual successor to that track as an album closer
I love bands that attempt to do both of these things on different albums (especially when they're successful), I just think the atmosphere and mood they were able to achieve in the studio for TM&A is unparalleled. It's such a cold and alien sounding record. LCW is definitely a gold standard for that live feel, though