had to tap out halfway through. "orange county" plays on a loop somewhere in hell, revolting combination of sounds.
Halfway through and vibing to this pretty hard, very dense record, going to take a few listens for it all to soak in
Saving it for tomorrow. Only heard one single so far but the concept is so inspired and dope. Extremely pumped. Listening to my Demon Days LP in preparation rn
think the IDLES song is the only miss here (not really surprised). absolutely love everything else, feels essential in their discog
really really enjoying this. love the Indian influences. in general, I love how Damon collaborates and platforms so many great artists from the non-Western world. dude clearly has a great far-reaching taste.
idk if I count as "a fan," I grew up on blur and liked a lot of the first three albums. after that I found diminishing returns, but I check in every so often just because. I have to say I also hate the whole idea of resurrecting previous guests' voices and puppeteering them into your Big Grief Concept album. It's barely classier than if they'd used AI. the mark e smith song especially sucks
what a phenomenally shit and bad faith interpretation of this, I'd be embarrassed to have posted that tbh
This is not exactly what I look for in Gorillaz but it’s not bad either. Willing to give it some time to grow on me.
it's blowing my mind that they had Damascus ready to go on Plastic Beach but decided Sweepstakes was a better fit. wild