Might be in the minority but I think this is bad and the worst album I've heard in quite a while. Everything from the delivery, the overproduction, the predictable D.R.U.G.S/Falling In Reverse/Hollywood Undead/The Used-y choruses, to the out of place beat changes... sound off. Perhaps it's just me not being drawn to that kind of music anymore, but I still have a soft spot for numetal and unfortunately, this album reminds me of the dated stuff of that genre. This just is not it for me. The Innocent is okay though, this time the chorus doesn't make me want to turn the whole thing off. This is what I imagine Pleymo would sound like if they went back to numetal and added some modern hip hop elements.
While I am not going to 100% disagree (I struggle to find something noteworthy about Fever 333), I find that comment funny coming from someone with a Puddle of Mudd/Saliva/Trapt/Saving Abel/Tantric avatar.
Tbh Fever 333 wouldn't be out of place touring with those bands This is still the worst album I've listened to this year by quite a bit
the way feldmann inserts himself into this video is really weird and uncomfortable, i wonder if Fever 333 are contractually allowed to write an album without his involvement at all
This band is fascinating. I ride so hard for the members’ other projects and am glad to see them go on this ride. It’s genuinely cool to see the same guys who played tiny bars for years get to play on huge festival and arena stages. They have an intense live show and the passion seems legit and well intentioned. But the lyrics and presentation are awful. They had their first big interview in fucking Forbes magazine. It all comes off so commercial and sanitized. Maybe that’s better than nothing, especially to get their message out to a wide mainstream audience, but it’s hard to get behind.
If a garbage band is gonna blow up, it should be one comprised of people who played clubs for years and are politically conscious, even if in the most bare-bones, dumbed down idiot-friendly version of consciousness.
The handler in the back literally brings John over and puts him in the interview. They're all visibly excited when he joins the conversation. John also helps manage them and put the band together. There are legit gripes about his work, but this Feldmann hate over innocuous things is absurd.
This sounds like when people thought they were really cool for badly mashing together pop and metal songs