I don't really get the love for Butterfly either. IMO, Daydream has way better singles and The Emancipation of Mimi is a way better top-to-bottom album.
Lyle Lovett - Pontiac Wow, I really love this. Hearing Jackson Browne in some of his vocals. Gonna have to dig in to the rest of his stuff. EDIT: Although as I typed that I got to "She's No Lady" and "M-O-N-E-Y" which I don't like as much.
Not sure I think it's better than the debut and Pontiac, but it's certainly their equal. I'd argue Road to Ensenada is, too.
I've always liked it best, but it also just got played in the house a lot when I was a kid. "North Dakota" into "She's Already Made Up Her Mind" is one of my all-time favorite track pairings.
Lyle's S/T is excellent as well. There's a few tracks I don't like so much on this, too, but overall I enjoy both. Gonna do Ensenada next.
Daughters - You Won’t Get What You Want from 2010. I think I remember listening to Daughters in like 2006, and I remember them as like a mathcore / grind core type band. This isn’t quite that, but it is still a difficult listen. It reminds me a bit of the Swans album I listened to a couple of days ago - deliberately nasty and unpleasant sounding, makes your skin crawl slightly. The songs are tuneless, a big racket, loud and aggressive. I’m not sure if this is one I’ll return to, but I can see how this found an audience.
+1 for picking a random Gizz album and going with it. Microtonal is certainly unique but also i feel like you could’ve guessed whether you’d like that album based on the name. PetroDragonic Apocalypse is great and basically a concept eco-thrash album. The dance one from last has some insane long cuts too
I don’t even know what microtonal means, to be very honest! My knowledge of music theory is precisely zero. Maybe like pornography, I’ll know it when I see (hear) it…
Microtones are like....in-between the 12 notes (semitones) in each octave. Like on a piano, they'd be notes between the keys. And they sound real weird to ears raised on western music.
Pharoah Sanders - Karma, from 1969. Mostly one long 30 minute piece, though there is a shorter concluding track. Despite the description on Wikipedia of this being “avant garde jazz”, this feels very accessible and easy to listen to, though there are moments where it feels like he’s making the saxophone scream, that are maybe a bit more intense. For the most part it’s pleasant and relaxing and none of the adjectives I’d associate with avant garde jazz. I love the vocals here when they pop up, particularly where he does the “wobbly” vocal effect. There also sounds to be plenty of “world” music influence on this too, particularly in the percussion. Really enjoyed this one.
sometimes "avant jazz" just means its not head-solo-solo-head format. jazz subgenres even sillier than other genres
I'm with you on this one. I've only heard a very select few avant garde or free jazz albums I've liked thusfar (I know that's a me problem), but Karma is one of them. If you ever feel like following it up, I really love his album Thembi where he does a lot of work with African percussion instruments.
Legit experimental for her! “Heaven on Earth” and “Toy Soldier” are so good. And “Get Back” should’ve been a single.
Lol, yeah, we seemed to have similar thoughts on that one. You probably liked it a little better than I did. I was pretty surprised at how bold and interesting it was. Then again, I never listened to Britney much past those first couple of albums that my sister loved when we were kids.