Yesss same. Sounds right up there with The Promise Ring, Braid, The Get Up Kids, etc etc, and that's exactly my warm happy place.
I recently listened to some American Analog Set and I really enjoyed what I heard. Kind of feels like Death Cab meets Wilco
they are the best. pretty sure Ben is a big fan of them and he was featured on a re-released version of this song
this is so fucked up their best song next to "Brothers on a Hotel Bed" for my money thank you for this, going to through it on during lunch
The Kindness of Strangers was always my favorite. Speaking of The American Analog Set, that Ben Gibbard/Andrew Kenny EP is excellent.
I learned about them in 2005 thanks to a CD-R being passed to me with a bunch of mislabeled tracks. God I miss those days.
Think I'm finally coming around on Thank You For Today. Not just me who thinks Gold Rush would be at least 36% better without the 'gold rush' hook? Totally oversells the song.
This is so funny I just came to the thread to discuss this. I think every album post Narrow Stairs is at least half great, but there is something about the mixing of having his voice so up-front/Ben's increasingly vibrato-y singing that makes the not very good songs even that much cheesier sounding. Not every song is mixed that way but in some cases it's gotten kind of cringy. That being said, the first halves of Kintsugi and Codes and Keys....and most of Thank you for today and Asphalt Meadows are great. I think Chris Walla did a better job of burying Ben's voice lol
It's definitely the vibrato for me too. It's just a little too clean and technical sounding for what I want from the band. Trans and Plans eras were like...the perfect middle-ground, imo.
I have found a new love for The Photo Album. Listened to it for the first time in at least 10 years and it hits super hard. Think it might be their second best album, after Transatlanticism.
Something about Ben’s voice changed on either plans or narrow stairs I agree and I don’t like it as much. I remember thinking during the Covid streams that he sounded closer to the old days so I think it’s as much in the production and mixing as in the actual recorded performances. Their discography up through transatlanticism is legitimately perfect, but I don’t love anything after. Plans is pretty good, but a noticeable step down, and then it’s real diminishing returns for me from there. That said there is almost always at least one or two truly great songs on each album so I’ll always be open to a new DCFC release. I appreciate that they’re seemingly gonna just go on forever a lot more now than I did when I was busy being mad at narrow stairs or w/e. Good band!