I have a hard time articulating where this belongs in my death cab ranking but I just ranked for mid-year and I realized it lands at number 3 sooooo
There are two songs I even remotely enjoy on Photo album and even then, I don't really like those songs. The band starts with Trans for me
I like Photo but I like it in the way I like a good Duster or 764-Hero record where I can’t understand any of the lyrics or log what any of the music distinctly sounds like but I like the lo-fi vibe of guitars and drums and bass doing little lo-fi 90s/2000s indie rock things. Trans is when they clarified themselves into a band where the songs stood apart and they weren’t a blob of yummy lo-fi indie sounds for 25-30 minutes.
I love The Photo Album but the first half is a little inconsistent for me, I'm not a huge fan of the first two songs and Information Travels Faster gets a bit overly repetitive by the end. I also don't think there's anything on there that would make it into my top 10/15 by the band unlike the albums that surround it. I think it would make my top 5 if I'm not counting Give Up although there's a solid chance this new one may overtake it.
I need to re-find my source but as I remember it Ben said something in an interview about Michael Schorr being a very different kind of drummer than what the band actually wanted/needed. I'll dig that up but either way there was a reason he's only on that album. Edit: also, like, doesn't help that you have to compare him against Jason McGerr, who is better than most drummers
Much respect to the 764-Hero name drop, but the more this band sounds like that, the better IMO. Different strokes
The Photo album is very good. Always just felt a little more like a collection of songs compared to the albums on either side of it imo
I enjoy The Photo Album and have no issues with what Michael did as a drummer on that album. Certainly more lively and interesting drums and just the overall sound in general than a good chunk of their discography. I understand why Ben is not a fan of thag album/era though
After stepping away from this album to live with Muse’s new one (also rocks) and it’s hitting so hard. I absolutely love it.
We Have the Facts is lowkey where they actually defined themselves as a band. I see the Transatlanticism arguments and while its an immense moment in their career, maybe their biggest hit, that album signaled their shift into poppier arrangements and more straightforward compositions. It wouldn’t exist without the foundation of We Have the Facts
I'm supposed to see them at an outdoor venue tonight but the air quality is so bad... it's giving grapevine fires out there