Yeah, this is great. Was worried I wasn't going to like it considering some of the features, but Danny rapping over hyperpop works so well.
I don't like the quadeca-produced songs and the spoken interludes will perish at the hands of my copy of cool edit pro but there's some great stuff smattered throughout elsewhere.
The spoken word interstitials are painful but the rest of this is unreal, easily some of the best shit I’ve heard all year
yeah this thing goes, I had it on in the background playing Hades so I don't know all the song names but the first song, Lift You Up and the love my life one feel like career highlights. I'm just looping Lift You Up right now that song is absurd
This record rocks. He really doesn’t miss, loved all of his records. Wish he’d put the hybrid on streaming for more people to enjoy
I’m the weirdo who loves UKnoWhatImSayin? and thinks everything else is just pretty good, including this.
his catalog is varied enough where i can understand that happening with any album of his tbh. im kinda that way with atrocity exhibition since that album has like a top 10 production job ive ever heard in any style. as much as i dig the other stuff, the musical scrapyard of that album just kinda gives me something i cant get from any other album my other fav of his goes in the opposite direction though lol, absolutely adore quaranta's slower side
I don't particularly love it, feels like Pitchfork didn't know who to give the review to so they went to their go-to experimental/electronic guy since it crosses into that territory. It's sort of stuck between being too hyperpop/electronic influenced for their rap review people, but it's actually not as far into that on full listen so it's not experimental enough for this reviewer. I'd actually say Atrocity is more experimental than this, and that's not trying to knock this one for not being as much. I don't get the feeling Danny was trying to go as wild as the features list first indicate, and that his concept/themes of sobriety are what he was more focused on. He's surprisingly clear sounding for the majority of the album, I think he would have buried his bars in the production more if that was truly his aim. I don't think Danny's intent was to be "fully defacing and deterritorializing the electronic styles" as the reviewer suggests, so it not going as hard and crazy as stuff on Revengeseekerz or Frost Children's recent material doesn't bother me. I'm here for the Danny bars, and I think he delivers. All the while bringing in awesome collabs, which to the reviewer's credit he does highlight Danny doing in general and having a finger on the pulse of upcoming acts.