Silver Cross might be my favorite but it changes every time I listen Also holy FUCK Shake It. I hope one day they all play it together
Yeah I know it has only been four years since the genre shift and the start of her PC Music collaborations but I'm ready for another left turn in the coming years. Imagine hearing her over Lone's production or with Wednesday Campanella, just on the top of my mind.
Once the upcoming tour kicks in, she posted some merch ideas on twitter or instagram a few weeks back.
thank you hate the merch lines @ shows - the lines at the Carly show were longer than the booze lines hopefully the online shop works A-OK lol
The demand for music merch in general seems to have skyrocketed in the past few years. First time I noticed it was the Kanye Pablo stuff.
I love the idea of Shake It but the beat still feels a little restrained to me? I think it would benefit from banging just a little harder a la I Got It (or maybe I just haven’t played it loud enough yet) White Mercedes took me a couple listens but my god the bridge is beautiful I Don’t Wanna Know is the only track I’m not connecting with much, not bad by any means but just kinda there
Just her tone and the way she enunciates certain words. I hear it in most of the verses of Thoughts, parts of I Don't Wanna Know, and the most obvious example is the second to last time she says "all I know is I don't deserve you" in White Mercedes. Curious to know if anyone else hears it!!
Man, 1999 doesn't fit on this thing at all. So glad I bought a car with a killer sound system. This fucking bumps. Click, shake it, and silver cross are all standouts.
Seriously, I wish Shake It banged more. In its current state it seems like it straddles the line of not trying to be I Got It, when that approach would be way more effective for the song
After one listen the ones that grabbed me the most were (in order of appearance): Gone, Click, Shake It, February 2017, 2099.
This thing opens so strong. Love the last minute of "Click." "Blame It On Your Love" is still dope & under appreciated, & fits perfectly on the album. "1999," however, while still a jam, is the one track that feels out of place.
Yeah this is very worthy of the album label and I can’t complain much about this, unless I’m being nitpicky
I've listened to this, N1A and Pop2 back to back and realized 1999 is sonically way closer to the second than the others