1. Mulholland Drive 2. Ocean's Eleven 3. AI: Artificial Intelligence Honorable mentions: Wet Hot American Summer (brutal cut, love this movie) Zoolander The Royal Tenenbaums Lord of the Rings: Fellowship of the Ring The Man Who Wasn't There Training Day Spirited Away Great year overall. Mulholland Drive is a masterpiece, and Ocean's Eleven is a perfect "mainstream" film in my eyes - incredibly entertaining. I like the Royal Tenenbaums, but I never really connected with it like I did some of Anderson's other movies - I admire it more than I love it. AI is Spielberg's hidden gem, incredibly underrated imo.
Gosford Park Ocean’s Eleven Amelie HM: LOTR, Mulholland Drive, The Royal Tenenbaums and Training Day
Mulholland Dr. wins it with 26 votes. The Royal Tenenbaums was in second place with 14 votes. Mulholland Dr. will move on to the bracket.
1. Mulholland Drive 2. Spirited Away 3. The Lord of the Rings: The Fellowship of the Ring Insane year. When I was actually living through 2001, my films of the year probably would have been: Shrek, Rat Race and Monsters Inc
1. Mullholland Drive 2. The Believer 3. In The Bedroom Other standouts: The Man Who Wasn't There, Training Day, Frailty, Donnie Darko
In no order: 1. Ghost World 2. Donnie Darko 3. Mulholland Drive 4. Jay & Silent Bob Strike Back 5. Amelie Honorable mentions: A.I. Artificial Intelligence, Ali, Bubble Boy
mulholland was great. a slow start but the audition scene was incredible and the last hour will stick with me for a while.
Mulholland Dr is still my favorite of his. The first 3 or 4 times I watched it I got more out of it. If you include all medium The Return might bump it out.
Not fun facts that the movie changed On August 17, 1967, Ali married 17-year-old Belinda Boyd. In an interview with NBC 6, Boyd recounted meeting Ali when she was 10 years old at her hometown mosque. At age 31 in 1973, Ali began an extramarital relationship with 16-year-old Wanda Bolton
just saw mulholland dr. in theaters. first time in years. amazing how referential it is to twin peaks, and honestly, there's no better use of dream sequence in cinema than this. so effortless in the way it approaches concepts of identity and reality. that shit moved me. when they're crying to that song in the theater both in blonde, goddamn. when thick brows guy shows up in the final diner scene, goddamn. every frame is fucking juicy with meaning and it feels so good to know i'm missing so much still. hollywood fucking sucks and i'm so glad that the way it dehumanizes people drew so much great content from mr. lynch.
wow, i am only just now learning that it was supposed to be a spinoff of twin peaks where audrey moves to L.A. that all makes perfect sense