The Cultural Vandalism of Jeffrey Tambor

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Matt Zoller Seitz, writing at Vulture:

Nobody is stopping anyone from watching these works (though they’re no longer as easy to find, and you probably have to own a DVD player). We can still talk about them, study them, write about them, contextualize them. But the emotional connection has been severed. The work becomes archival. It loses its present-tense potency, something that significant or great works have always had the privilege of claiming in the past.

That’s all on the predators. It’s not on you. None of us asked for this.
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I found myself nodding along through this entire piece, so much of it applicable to the music world as well.

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